
First Floor Galleries
Somé Louis, Hanna Taubenberger:
Soft Remembering
July 2 - August 17
Opening Reception
Friday, July 11, 5:30 - 7:30 PM
Soft Remembering is a collaborative exhibition by Charlottesville-based artists Somé Louis and Hanna Taubenberger. The exhibition explores concepts of memory, childhood practices, cherished relationships, and time through materials, objects, and gestures both familiar and nostalgic to the artists.
Somé Louis
Somé Louis is a Charlottesville-based conceptual artist investigating concepts of memory, home, family, and identity through the rituals of mundane occurrences and observations. She explores these concepts through a variety of media and methods, especially installation, embroidery, drawing, and collage of the figure on found linens, textiles, and papers, and performance on video. In her most recent visual work, Somé explores memories of a childhood in the Caribbean through common gestures of daily activities on found linens, textiles, and papers from the domestic sphere. She considers the connection these routines hold in building a sense of self, home, and connection to one’s family and ancestors. Through drawing and embroidery on found materials with aesthetic and personal historical relevance, she attempts to record these simple memories that have remained with her over time.
Somé holds a BA in Studio Art and Art History from Wellesley College, and is an active participant in a number of Charlottesville creative projects. She has completed residencies at New City Arts, Second Street Gallery, and McGuffey Art Center. She recently joined McGuffey Art Center as a member and holds an active studio practice.
Hanna Taubenberger
Hanna Taubenberger (she/her) is a Charlottesville-based visual artist. She graduated with her BFA in Sculpture and Extended Media from VCUarts in 2020 with a focus in video and Italian studies. Hanna completed her artist residency program at McGuffey in 2021 and gave an artist talk in 2022 on the themes of her work created in the residency focusing on the themes of sanctuary in juxtaposition to toxicity. Hanna’s work relates to the home and family history and the nuance of those ideas in home related objects like dollhouses and tables. Her work is focused on the recreational processes of creating objects related to feelings of nostalgia and the recreation of family heirlooms and the essence of people. Many of her pieces have elements of decay from flowers, candles, and flames with an element of ephemerality within her work. Scent is also explored throughout her pieces as a way to trigger memories for various people.