First Floor South Gallery
Margaret Embree: Mercurial and Not
October 2 - 31, 2026
Opening Reception Friday, October 2, 5:30-7:30pm
Margaret Embree, Sky House, Oil on canvas
Artist Statement
“Mercurial” popped into my head while curating this collection.
The word “ Mercurial” is associated with the characteristics of being; swift, volatile, changeable, or related to the Roman god Mercury (also the Greek god Hermes Trismegistus and the Egyptian god Thoth). There are also Alchemical meanings associated referring to substances that unite – representing a blend of the spiritual and the physical resulting in transformation. Either on the spiritual plane, the physical plane or both. Such as in paint.
My abstract acrylic pieces incorporate transparent layers that allow one to see behind, where the painting first began from “nothing” , sometimes starting with India ink. The light play on the top surface interacting with Interference pigments creates a changeable reflection - the daylight reflects back the pigment differently depending upon the position of the light and the viewing angle.
My landscape and still life oil paintings present a more concrete appearance in form. I think of them as images of things I see in our outer world. Things that have manifested into the space we live in. My other work is more about color play and visions from my inner world.
Artist Biography
An award-winning painter and McGuffey Art Center member/resident since 2007, Margaret holds a BFA from the University of Mary Washington and recently completed a residency in Kona, Hawaii. Through a multitude of subject matters, Margaret explores the complexity of space - from the physicality of landscape to the "space within" - and challenges the boundaries of the flat canvas. Using pigment to translate vibrations of color and motion, Embree’s pieces serve as an ongoing investigation into how we inhabit and perceive the endless possibilities of space.
Margaret Embree, Sugar Baby on Caroline Street, Oil on canvas
Margaret Embree, Blue Ether, Acrylic on panel
Margaret Embree, Blue Bottle, Oil on panel
Margaret Embree, The Void IIII, Acrylic on board